|  | 
Shot
  Description | 
Audio and
  Dialogue | 
| 
1) | 
The green British film rating screen which
  is appropriate for all audiences.  | 
Quiet sound effects evoking a sinister
  atmosphere such as murmuring. (asynchronous) | 
| 
2) | 
The Lionsgate company moving image credit. | 
Sound effects continue and gradually become
  louder. | 
| 
3) | 
The Eli Entertainment production company
  moving image credit.    | 
Sound effects at optimum level. | 
| 
4) | 
Establishing
  Shot: A
  spacious green woodland area, surrounded by thick trees with a clearing that
  two 18 year old girls walk through. The girls are named Alexa Lacey and
  Sonnie Emby. Both are wearing fashionable, casual outfits and are spending
  time in the outdoors.   | 
Introduce a non-diegetic soundtrack: Use of
  drums and guitar.  | 
| 
5) | 
(Cut to black) Establishing Shot: A repeated shot of the same clearing in the
  woodland however the girls are now 25 year old women in more formal attire. | 
Soundtrack continued. | 
| 
6) | 
(Fade
  to black) Close up: Two antique style
  necklaces with a large pendant lying on the ground of the woodland. Nothing
  but necklaces in shot.  | 
Soundtrack continued.  | 
| 
7) | 
(Cut)
  Long Shot, Low Angle and Shallow Focus:
  Focus on
  to tree with the girls picking up the necklaces in the background of the
  shot.  | 
Soundtrack continued.  | 
| 
8) | 
(Fade
  to white) Close up: Hand searching for a book that is amongst other historical and
  geographical books on a shelf. Use of low key lighting.
   | 
Soundtrack continued.  | 
| 
9) | 
(Cut)
  Over the shoulder, Mid-Shot, High
  angle: Alexa
  puts down a large hard back book titled ‘Legend of the Creature’. Shallow
  Focus with Sonnie in the background of the shot reading similar books.  | 
Soundtrack intensifies, becomes faster to
  signify importance of the shot.  | 
| 
10) | 
(Dissolve)
  Point of view shot: The open pages of the book
  being scanned, revealing images of mermaids and the names ‘Mystie and Nixie’.
   | 
Soundtrack continues.  | 
| 
11) | 
(Cut
  to black) Establishing shot:
  Outside
  of an abandoned looking house, that has been neglected. Shabby looking paint
  and over grown vines etc.  | 
A new beat introduced in the soundtrack,
  making it darker.  | 
| 
12) | 
(Cut)
  Mid shot: Hand knocking on the door
  of the house.  | 
Soundtrack continued. | 
| 
13) | 
(Cut)
  Mid shot: The door hesitantly opens
  with a middle-aged man answering. Briefly see his long, black, thick hair and
  beard.  | 
Soundtrack continued.  | 
| 
14) | 
(Cut)
   Point
  of view shot: Girls hand over the necklaces to the man, who is named Earl. He
  examines the necklaces closely. This takes place is his study, which is
  closed in and has dark walls.  | 
Soundtrack continued.  | 
| 
15) | 
(Cut)
  Point of view shot: He violently slams the
  necklaces down onto the oak desk.  | 
Dramatic sound effects introduced.
  (pleonastic sound of the slam)  | 
| 
16) | 
(Cut)
  Close Up: Quick shot of water rippling.  | 
Soundtrack continued.  | 
| 
17) | 
(Jump
  Cut) Long shot: Sonnie and Alexa running along a train track.  | 
Soundtrack continued.  | 
| 
18) | 
(Cross
  Cut) Mid shot: Earl removing sword from
  protective case.  | 
Soundtrack continued.  | 
| 
19) | 
(Cut
  to black) Extreme long
  shot: Lake surrounded by a
  woodland. Pan to show the older Sonnie and Alexa walking towards the lake
  wearing the necklaces.  | 
Soundtrack stops, becomes silent.  | 
| 
20) | 
(Cut)
  Mid Shot/Over the shoulder: Sonnie dips her hands into
  the lake causing her necklace to radiate with a bright light.  | 
Soundtrack still silent.  | 
| 
21)  | 
(Cross
  cut) Close up, deep focus: Earl’s black necklace, which is hanging on the back of his study room
  door, is swinging on its own, which heightens the sinister atmosphere
  surrounding Earl. In the shot his collection of weapons can be seen.  | 
Soundtrack still silent.  | 
| 
22)  | 
(Cut)
  Extreme close up: Mermaids scales/glitter. | 
Asynchronous screaming sound effects.   | 
| 
23) | 
(Cut
  to blank screen) “KEEP EVIL OUT”. | 
Asynchronous screaming sound effects.   | 
| 
24) | 
(Cut)
  Close up: Sonnie’s necklace is
  snatched from her neck.  | 
A new non-diegetic soundtrack is played,
  introduced by a slight fade.  | 
| 
25) | 
(Cross
  Cut) Mid Shot: Earl examining the
  necklaces closely.  | 
Soundtrack continued.  | 
| 
26)  | 
(Cut)
  Aerial Shot: Broken shells along the grass. | 
Synchronous sounds of shells being
  crushed.   | 
| 
27)  | 
(Cut)
  Extreme close up: Sonnie’s eyes begin the change colour.  | 
Soundtrack continued.  | 
| 
28) | 
(Cut)
  Arc shot, pan, low angle: Alexa screeching, pan
  around her with the woodland in the background of the shot.  | 
Soundtrack silent, diegetic sound of Alexa
  screaming.  | 
| 
29)  | 
(Cut
  to blank screen) “KEEP DEATH AWAY” | 
Asynchronous screaming sound effects.   | 
| 
30)  | 
(Cut)
  Underwater shot: Sonnie submerged in to water. She is drowning and screaming.  | 
Sound effects of water and muffling sounds
  of breathing. | 
| 
31) | 
(Cut)
  Extreme close up: Hands scratching the bank of a lake, long fingernails, and distorted
  colour skin. (Belonging to the mermaid) | 
A very fast non-diegetic soundtrack.  | 
| 
32)  | 
(Cut)
  Extreme long shot: Sonnie lying on the ground, unconscious next to the lake. The lake
  flashes/glows.  | 
Soundtrack continued. | 
| 
33) | 
(Cut
  to blank screen) “KEEP ALL ENEMIES WELL AT BAY” | 
Asynchronous screaming sound effects. | 
| 
34) | 
(Cut)
  Long shot: Alexa running away from the lake, looking behind her in panic.  | 
Soundtrack continued.  | 
| 
35)  | 
(Cut)
  Establishing shot, whip pan: The trees which creates an enclosing atmosphere.  | 
Soundtrack continued.  | 
| 
36)  | 
(Cut)
  Close up: Both the pink necklaces and the black necklace being crushed in
  someone’s hands. The hands are covered in blood and dirt.  | 
Soundtrack continued.  | 
| 
37) | 
(Cut)
  Extreme close up, Canted Angle, Deep
  focus: Yellow wooden crafted figure.  | 
Asynchronous murmuring.  | 
| 
38) | 
(Cut)
  Extreme close up, Low angle, Deep focus: Blue
  wooden crafted figure.  | 
Asynchronous murmuring.  | 
| 
39) | 
(Cut)
  Extreme close up, Shallow focus: Green
  wooden crafted figure.  | 
Asynchronous murmuring.  | 
| 
40)  | 
(Cut)
  Extreme close up, Shallow focus: Red wooden crafted figure.  | 
Asynchronous murmuring.  | 
| 
41) | 
(Fade)
  Close up: Mermaid tail moving whilst on the grass of the woodland. | 
Soundtrack continued.  | 
| 
42) | 
(Cut)
  Extreme long shot: Alexa crouching in front
  of a wooden crafted figure in the woodland. She is in hysterical tears.  | 
Soundtrack continued.  | 
| 
43)  | 
(Cut)
  Mid Shot: Sonnie sitting on the bank
  of the lake in a state, examining a bite mark on her upper arm.  | 
Soundtrack reaches optimum intensity. | 
| 
44)  | 
(Cut
  to blank screen) “JULY 19TH” | 
Asynchronous screaming sound effects. | 
| 
45) | 
(Cross
  Cut) Extreme Close Up: Earl’s eye. | 
Cut to silence.  | 
| 
46) | 
(Cut
  to blank screen) “THE MERMAID’S MYTH” | 
Sound effects of mermaid screams and water.
   | 
| 
47)  | 
(Cut)
  Credits of actors and actresses.  | 
Slowly the soundtrack reaches minimal
  volume level.  | 
| 
48)  | 
(Cut)
  Small print of companies involved and social media links. | 
Slowly the soundtrack reaches minimal
  volume level.  | 
Shotlist & Shooting Script
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Jamie-Lee's Evaluation Website
https://11c09cla.wixsite.com/evaluationa2
Super planning and thorough understanding of the need for varied shot types and movement to convey your original trailer. Well done.
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